by Catherine Chambers

There has been a lot going on at Duende lately. I was so humbled to be a part of the first-ever WriteFest conference in Houston, Texas, along with some of our friends old and new; go check out NANOfiction, Gulf Coast: A Journal of Literature and Fine Art, Nat. Brut, Crab Fat Magazine, and Clarkesworld Magazine, to name a few. My fabulous senior editor Amy Sterne and I ate too many tacos. We also got to give a reading at Alabama Song alongside our faculty advisor M.A. Vizsolyi and the effervescent Houston poet Ronnie Yates. I gave a sneak peek of our upcoming Prison Writing Feature, which you can read in its entirety right here on the site April 2nd, 2016.

Miss us at WriteFest? If you will be at the AWP Conference in Los Angeles next weekend (March 30th – Aprl 2nd), you can come see managing editor Tyler Woodsmall, faculty advisor M.A. Vizsolyi, and Goddard BFA student Sergio Bettencourt-Urbina at table 818. They will have Duende swag as well as information on Goddard College’s low-residency model, and the postcards officially announcing our next feature, EXODUS:

Duende seeks poetry, prose, hybrid work, and visual art from the hearts and minds of those who are displaced; those without a home or those who have lost one; those who are crossing borders both tangible and not; those who are immigrant, refugee, first generation, or emigrant; those who are homesick; those who haven’t looked back. Submit work starting May 2016.

As the spring BFA residency approaches, I find myself already homesick for this little journal that could. I am on the brink of my final semester at Goddard, when it seems like just yesterday we were reading for issue two and I became poetry editor because I said, “Give me the job no one else wants to do.” By the time I graduate, I will have seen Duende through three issues and most of two features. I have pulled all-nighters and shed tears and put mimosas into coffee cups on conference calls so that no one would be able to tell. I am so proud of all the work this publication has done and will do, and thank you to every person who has submitted work, to our contributors, to all the current and former staff, to our support system among the Goddard faculty and administrators, to the Gunst foundation. We couldn't do it without you. 

Surrounded by the Love of the Literary: My First AWP Experience

By Jørn Otte

As the dust settles, the books are shelved, the business cards sorted through (who was that again?), and the jet lag lazily lingers, I sit and ponder over my first Association of Writers and Writing Publishers conference in Minneapolis, and what can be said of this unique literary experience.

Writers, readers, MFA programs, publishers, literary magazines, drag queens, booksellers, activists, panelists, recovering alcoholics, dog lovers, trendsetters, translation enthusiasts, poets, playwrights, prison writing publishers, Duendians, Goddardites, and thousands of other categories of people and uncategorizeable people attended this three-day-long event, and the positive energy in the rooms was palpable and contagious.

What did I learn? Plenty. Let’s start with my college and literary magazine.

Goddard College has a wider influence than I realized, and it was wonderful to meet alumni and former faculty who have gone on to great things – from people like Mark Doty, a Goddard alum and renowned poet and memoirist who won the National Book Award in 2008, to Doug Van Gundy, a Goddard alum and fellow West Virginia native who now at the low residency MFA program at West Virginia Wesleyan, and was also a contestant on ABC’s Who Wants to Be a Millionaire. Alumni and former professors stopped by the Goddard table every day, recalling fond memories, sharing enthusiasm about our programs, and encouraging others to attend.

Perhaps one of my favorite parts of the AWP experience was the fact that many contributors to Duende stopped by our table to thank us for publishing them and to share their love of all things literary. From Harrison Candelaria Fletcher to Bianca Spriggs to Seema Reza and so many others, meeting our contributors face to face and sharing in mutual love of the written word was truly a wonderful experience. It was also nice to build an even deeper camaraderie with my fellow Duendians Amy Sterne and Catherine Chambers, as we represented our school and magazine.

Meeting famous authors is always a treat, and it was distinct pleasure to be able to sit down and talk with people like Nick Flynn and Karen Russell, both of whom, like so many other attendees, were gracious with their time and thoroughly engaging.

Being courted by MFA programs does a little something to stroke the ego as well, and while I won’t call out any names, I can say with complete sincerity that the fact that half-a-dozen graduate writing programs expressed a genuine interest in both my writing and in me as a person made me feel that this whole experience was equally surreal and grounding.

Panels of noted authors and publishers were also an integral part of the AWP experience, and none was more engaging that the Writers Write No Matter What panel, conducted by four wonderful writers: Wendy Call, Stephanie Elizondo Griest, Anastacia Tolbert and Sejal Shah.  This panel was actually workshop, and the productive writing that occurred in this space was unlike anything else I saw at AWP, and hearing from other attendees and panelists, I can confirm that this was a unique and engaging experience that ranked up there with the best panels AWP has ever had.

What more can be said? Being around 15,000 like-minded people – people who care about the written word, about publishing, education, poetry and prose – it is both an awe-inspiring and humbling experience. I am proud to be one of the managing co-editors of Duende, and I am honored to be a student of Goddard College. As a literary magazine and as an institution, we are setting a high standard of excellence, and it was evident at AWP in Minneapolis, just as it will be when I see all of you at AWP in Los Angeles in 2016!